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・ John Burnett (advocate)
・ John Burnett (historian)
・ John Burnett (judge)
・ John Burnett (merchant)
・ John Burnett (trade unionist)
・ John Burnett, Baron Burnett
・ John Burnett-Stuart
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・ John Burnham (Canadian politician)
・ John Burnham (cricketer)
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John Burns (audio engineer)
・ John Burns (Australian rules footballer)
・ John Burns (baseball)
・ John Burns (businessman)
・ John Burns (disambiguation)
・ John Burns (entomologist)
・ John Burns (Irish footballer)
・ John Burns (minister)
・ John Burns (radio)
・ John Burns (Scottish footballer)
・ John Burns (surgeon)
・ John Burns (umpire)
・ John Burns Brooksby
・ John Burns, 1st Baron Inverclyde
・ John Burnside


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John Burns (audio engineer) : ウィキペディア英語版
John Burns (audio engineer)

John Burns is a British recording engineer best known for his credits with noted bands of the 1970s including Jethro Tull, Clouds, Genesis, John Martyn and reggae acts Burning Spear, Jimmy Cliff and Toots & The Maytals.
Burns (who is also a guitarist) played in a teenage band with Andy Johns, the engineer and younger brother of Glyn Johns, and Andy Johns got Burns his first job in the industry, as tea-boy and tape operator at Morgan Studios in 1965, at the time when Morgan were doing all of the recordings for Chris Blackwell's Island Records.
Burns graduated to assistant engineer with the Jethro Tull albums ''Stand Up'' and ''Benefit''; his credits in this period include the self-titled album by Blind Faith (1969), Humble Pie, Jethro Tull, Spooky Tooth, Blodwyn Pig, Ten Years After, Quintessence, David Bowie, King Crimson and Donovan. During 1970 he worked as a live engineer for acts including Jimi Hendrix, The Who and Johnny Winter. He was a live sound engineer at the Isle of Wight Festival in 1969.〔 and toured extensively with Jethro Tull.
He returned to studio work after touring with Tull and Clouds over a period of eighteen months,〔 and engineered Tull's breakthrough ''Aqualung'' album (1970). During a period as freelance engineer with Island Records, when he often stood in for other engineers on sessions, he worked with major acts including Traffic, Mott the Hoople, Fairport Convention, Free,〔 Curved Air, Deep Purple, Marc Bolan and T.Rex, Jeff Beck, Alexis Corner, Jimmy Cliff, Toots & the Maytals and John Martyn, on the sessions that became Martyn's classic ''Solid Air'' album.〔 His first producer credit came when he produced and engineered the now much-heralded ''Watercolour Days'' by Clouds.
In 1972 he began a successful collaboration with progressive rock band Genesis on their ''Foxtrot'' album replacing two previous engineers had been brought in and then quit.〔 Genesis were impressed with his work and he went on to co-produced (with the band) their next three albums -- ''Selling England by the Pound'' (1973), which included their first charting single, "I Know What I Like", ''Genesis Live'' (1973) and their ambitious 2LP concept album ''The Lamb Lies Down on Broadway'' (1974), the last Genesis studio album with original lead singer Peter Gabriel.〔
Later in 1974 he worked at Ginger Baker's studio in Lagos, Nigeria with the late Fela Ransome-Kuti. In 1975 Burns mixed a dub version of Burning Spear's "Garvey's Ghost". During a brief period as owner of Escape Studios in Kent in the late 1970s, he recorded artists including Eric Clapton and Ginger Baker and engineered Motörhead's 1977 self-titled album with producer John "Speedy" Keen (ex Thunderclap Newman).〔
He also produced Straight Eight a band signed to Pete Townshends Eel Pie Label, their first album No Noise From Here.
Burns had few major credits after the end of the '70s but has recently begun recording again, working with US singer Lisa Doby and the band JEBO.〔〔 He is credited as remastering engineer for the reissue of the 1998 Gary Numan album ''Exile''
==References==


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